Sphinx - OPOI reviews 2018

List of articles in category OPOI reviews 2018
Title
D A PRINCE — BOOKMARKS
ELIZABETH COOK —‘THE SOUND OF THE RAIN’ (2 reviews)
DANIEL RATTELLE —‘THE SLEEPING HOUSE’
SALOME BENIDZE —‘I WANTED TO ASK YOU’
JUDI SUTHERLAND — ‘THE SHIP OWNER’S HOUSE’
MICHAEL GRIEVE — ‘LUCK’
SHRIRAM SIVARAMAKRISHNAN – ‘LET THE LIGHT IN’
JANE LOVELL — ‘METASTATIC’
CIARA MACLAVERTY — ‘PAST LOVE IN THE MUSEUM OF TRANSPORT’
AMY KINSMAN — '&'
NEIL ELDER — ‘CODES OF CONDUCT’
SARAH FLETCHER — TYPHOID AUGUST
ROSEMARY HECTOR – ‘LABYRINTH’
HERA LINDSAY BIRD – ‘PAMPER ME TO HELL & BACK’
MICHELLE PENN – ‘SELF-PORTRAIT AS A DIVINER, FAILING’
CONNIE BENSLEY – ‘LETS KEEP IN TOUCH’
SEAN KINSELLA – ‘SONS AND WATERS’
TONY LAWRENCE – ‘POEMS FOR 2016’
STEWART CARSWELL — ‘KNOTS AND BRANCHES’
HELEN TOOKEY — ‘IN THE GLASSHOUSE’ (2 reviews)
CHARLES BENNETT — ‘THAW’
R.M. FRANCIS — ‘ORPHEUS’
REBECCA GETHIN — ‘A SPRIG OF ROWAN’
MICHAEL BARTHOLOMEW-BIGGS — ‘THE MAN WHO WASN’T EVER HERE’
HOLLY CORFIELD CARR — ‘SUBSONG’
CHRISTIAN WETHERED – ‘I DON’T LOVE YOU’
NICKY MELVILLE – ‘ABBODIES’
IAN BURNETTE — ‘WAX’
ROBIN HOUGHTON — 'ALL THE RELEVANT GODS'
SUSANNAH DICKEY – ‘I HAD SOME VERY SLIGHT CONCERNS’
MARTIN POTTER — ‘IN THE PARTICULAR’
KEITH HUTSON – ‘TROUPERS’
LIZZI HAWKINS – ‘OSTEOLOGY’
MIRIAM GORDIS – ‘VINYL’
SEAN MAGNUS MARTIN – ‘FLOOD — JUNK’
STEFAN KIELBASIEWICZ – ‘STEALING SHADOW’
ALEXANDRA STRNAD – ‘H IS FOR HADEDA’
JOHN FENNELLY – ‘ANOTHER HUNGER’
MYRA SCHNEIDER — 'FIVE VIEWS OF MOUNT FUJI'
NATALIE BURDETT — 'URBAN DRIFT'
TOM SHARP – ‘ALL THE HAUNTINGS’
DEBORAH TURNBULL – ‘TRIAL BY SCAR’
PATRICK JAMES ERRINGTON — 'GLEAN'
ALICIA FERNÁNDEZ — 'IF MOMENTS WERE PLACES'
JENNY PAGDIN – ‘CALDBECK’
JOCK STEIN – ‘COMMENTARY’
CYNTHIA FULLER—HOME IS WHERE & OTHER POEMS
WILL JOHNSON — ‘MY SPEAKING TONGUE’
D. M. BLACK — ‘THE BI-PLANE & OTHER POEMS’
JO BURNS — ‘CIRCLING FOR GODS’
MARTYN CRUCEFIX — ‘O. AT THE EDGE OF THE GORGE’
CHRIS RAETSCHUS – 'HOW TO SKIM A PEBBLE'
HAMISH WHYTE – ‘NOW THE ROBIN’ (2 OPOIs)
JOHN MOLE — 'A DIFFERENT KEY' (2 OPOIs)
LILY BLACKSELL — 'THERE’S NO SUCH THING'
NOEL WILLIAMS – ‘POINT ME AT THE STARS’
JAMES DAVEY – ‘HOW TO PARALLEL PARK’
MARY JEAN CHAN – ‘A HURRY OF ENGLISH’ (2 OPOIs)
MARIA ISAKOVA BENNETT – ‘ALL OF THE SPACES’
KOESTLER TRUST — ‘HOME OF THE SOUL’
ROXY DUNN — ‘CLOWNING’
VICTORIA KENNEFICK — WHITE WHALE
ZAYNEB ALLAK — KEINE ANGST
JOAN LENNON — ‘GRANNY GARBAGE’; MICHAEL GRIEVE — ‘LUCK’ (2 OPOIs)
CHRISTINA ROSSETTI – ‘POEMS’
HELEN PIZZEY – ‘INVISIBILITY FOR BEGINNERS’ (2 OPOIs)
SIR PHILIP SIDNEY – ‘FROM ASTROPHEL AND STELLA’
CHRIS CONSIDINE – ‘THE ISLAND’
RORY MACLEOD – ‘MOMENTS IN LIFE.’
TOM SHARP – ‘TWELVE MOONS OF MADNESS’
SIMON PETTET – ‘ALBION SHEAF’
KEITH PARKER – ‘BETWEEN THE CURLEW AND THE CROW’ (2 OPOIs)
NOELLE KOCOT – ‘SONNETS’
ALYSON HALLETT – ‘TOOTS’
MARK CARSON – ‘HOVE-TO IS A STATE OF MIND’
CAMILLA THERESA REEVE – ‘RAFT OF PUFFINS’
RAKHSHAN RIZWAN – ‘PAISLEY’
BARBARA A MORTON – ‘THEORY OF COLOUR’
ELENI CAY – ‘A SMALL LOVE DICTIONARY OF UNTRANSLATABLE JAPANESE WORDS’
ROSMARIE WALDROP – ‘WHITE IS A COLOR’
MICHAEL HASLAM – ‘SCAPLINGS’
STAV POLEG – ‘LIGHTS, CAMERA’
SEAN WAI KEUNG – ‘YOU ARE MISTAKEN’ (2 OPOIs)
ZOSIA KUCZYŃSKA – ‘PISANKI’
JOHN CHALLIS, THE BLACK CAB
EDWARD DOEGAR – ‘FOR NOW’
TOM SHARP – ‘THE SUN BEHIND THE SUN’ (2 OPOIs)
LOIS WILLIAMS – ‘LIKE OTHER ANIMALS’ (3 OPOIs)
THOMAS GRAY – ‘ELEGY WRITTEN IN A COUNTRY CHURCHYARD AND OTHER POEMS’
REBECCA TAMÀS – ‘SAVAGE’
MARTHA SPRACKLAND – ‘GLASS AS BROKEN GLASS’