Sphinx

All about poetry pamphlets

Spineless, short-lived and easily overlooked, poetry pamphlets are thriving against the odds.”   Paul Batchelor, in The Guardian

Latest competitions

It's hard to keep the list updated. New ones arrive. Old ones vanish. Please keep me posted.

But here's the latest download from October 2014 (see below). My list is more 'mainstream' than not.

There are lots of other left-field, wayward, weird and wonderful imprints depending on your point of view. Pamphlets are all over the place really and what you probably think they are is only part of what they can be. If not sure what I mean, go to modernpoetry.org and take it from there.

 

Attachments:
Download this file (OCTOBER 2014__CHAPPUBS.pdf)UK poetry pamphlet publishers[ ]184 kB

I have tried to draw up a list of current, or nearly current, pamphlet competions in the UK.
The picture keeps changing and it may not be complete. Please let me know if there's a new one I should add.

Attachments:
Download this file (POETRY PAMPHLET COMPETITIONS.pdf)Poetry pamphlet competitions UK[ ]158 kB

Matthew Stewart confronts the dangers of moving too fast from poetry pamphlet to full collection, or from first book to second.Matthew Stewart

The process of preparing a second collection of poems is renowned for its traps and pitfalls. It’s often compared to that ‘difficult second album’ in musical terms. However, the transition from pamphlet to full collection shares many of the same perils. And of course it has others all of its own.

Let’s start with an obvious point in common: if a first collection is lukewarmly reviewed and has weak sales, publishers aren't likely to enthuse about a second. Of course, the same's true for a pamphleteer who wants to place a full collection.

In other words, the achievement of getting a chapbook into print is not a goal so much as a point of departure for sales via readings, blogs and so on. The next pitch is so very much easier if the poet can say the previous book sold out.

Read more...

Andrew SclaterAndrew Sclater on Stewed Rhubarb

Based in Edinburgh, Stewed Rhubarb press was founded in 2012 by James T Harding and Rachel McCrum. Sphinx also hosts an interview with its creators (click on the link).

Stewed rhubarb is good! I already enjoy eating it. Now I can say I like reading it too.  Actually, there’s nothing puddingy about Stewed Rhubarb Press, even if its poems do tickle the senses a little. These pamphlets won’t settle you into the farmhouse kitchens of Ambridge, Argyll or anywhere else; they’ll lead you towards the performance stage.

Read more...

Stewed Rhubarb, based in Edinburgh, publishes spoken word pamphlets. Originated and run by James T Harding and Rachel McCrum, it has just won the highly coveted Callum Macdonald Memorial Award 2013 for its ground-breaking (in several senses) publication, The Glassblower Dances. This interview with James and Rachel fills in some of the background.

So . . .  Stewed Rhubarb is a relatively new poetry press, specialising in spoken word artists, and it was devised in a garret in Edinburgh. Can you say a bit more about the garret? And how you came up with the name?

Read more...

Copyright © 2011 - 2014 HappenStance. All Rights Reserved.