It's hard to keep the list updated. New ones arrive. Old ones vanish.
But here's the latest download from July 2014. Kirsty Gillies helped with this, and she is a STAR.
I have tried to draw up a list of current, or nearly current, pamphlet competions in the UK.
The picture keeps changing and it may not be complete. Please let me know if there's a new one I should add.
Matthew Stewart confronts the dangers of moving too fast from poetry pamphlet to full collection, or from first book to second.
The process of preparing a second collection of poems is renowned for its traps and pitfalls. It’s often compared to that ‘difficult second album’ in musical terms. However, the transition from pamphlet to full collection shares many of the same perils. And of course it has others all of its own.
Let’s start with an obvious point in common: if a first collection is lukewarmly reviewed and has weak sales, publishers aren't likely to enthuse about a second. Of course, the same's true for a pamphleteer who wants to place a full collection.
In other words, the achievement of getting a chapbook into print is not a goal so much as a point of departure for sales via readings, blogs and so on. The next pitch is so very much easier if the poet can say the previous book sold out.
Andrew Sclateron Stewed Rhubarb
Stewed rhubarb is good! I already enjoy eating it. Now I can say I like reading it too. Actually, there’s nothing puddingy about Stewed Rhubarb Press, even if its poems do tickle the senses a little. These pamphlets won’t settle you into the farmhouse kitchens of Ambridge, Argyll or anywhere else; they’ll lead you towards the performance stage.
Stewed Rhubarb, based in Edinburgh, publishes spoken word pamphlets. Originated and run by James T Harding and Rachel McCrum, it has just won the highly coveted Callum Macdonald Memorial Award 2013 for its ground-breaking (in several senses) publication, The Glassblower Dances. This interview with James and Rachel fills in some of the background.
So . . . Stewed Rhubarb is a relatively new poetry press, specialising in spoken word artists, and it was devised in a garret in Edinburgh. Can you say a bit more about the garret? And how you came up with the name?